A pitch black, wryly British comedy, PREVENGE follows Ruth, a pregnant woman on a killing spree that’s as funny as it is vicious. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood.
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A pitch black, wryly British comedy, PREVENGE follows Ruth, a pregnant woman on a killing spree that’s as funny as it is vicious. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood.
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Ex-maid of honor Eloise – having been relieved of her duties after being unceremoniously dumped by the best man via text – decides to hold her head high and attend her oldest friend’s wedding anyway. She finds herself seated at the random table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets. As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19.
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Ex-maid of honor Eloise – having been relieved of her duties after being unceremoniously dumped by the best man via text – decides to hold her head high and attend her oldest friend’s wedding anyway. She finds herself seated at the random table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets. As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19.
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With sudden passing of his grandmother, Peter Latang returns to his hometown and encounters his long lost, childhood friend, Donald Treebeck. What begins as a simple favor, turns into a long day’s journey into the past.
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A re-imagining of Jane Austin’s “Pride and Prejudice” set in modern day, rural Virginia with Elizabeth Bennet as a man. Ben Bennet is an affluent but seemingly arrogant attorney who unknowingly insults Lee Darcy, a detached factory worker wrongly charged with domestic abuse. Both men form an immediate dislike for each other which becomes a significant problem when Ben falls in love with Lee.
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Fate, the pensions crisis and a steadfast refusal to accept the injustice of old age have contrived to force law abiding, retired couple, Arthur and Martha Goode into a life of crime. Refusing to take the loss of their pensions lying down and to fade away into their declining years, our characters decide to fight back. They decide to take back what was theirs in the first place. They decide to start robbing banks.
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With sudden passing of his grandmother, Peter Latang returns to his hometown and encounters his long lost, childhood friend, Donald Treebeck. What begins as a simple favor, turns into a long day’s journey into the past.
Read More »