Abe is an ambitious young journalist at an independent Chicago weekly. He has a lead on a story that could make his career. Debra, a woman claiming to work in national security, has a serious revelation to leak. She insists on meeting Abe in a desolate place in the American West – perhaps because it is near her undisclosed work site, or perhaps because she will only reveal her information in absolute isolation. In minutes they will meet. An hour later, one of them will be dead. This simple premise unfolds multiple layers of depth as the tension is raised to almost unbearable levels.
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Abe is an ambitious young journalist at an independent Chicago weekly. He has a lead on a story that could make his career. Debra, a woman claiming to work in national security, has a serious revelation to leak. She insists on meeting Abe in a desolate place in the American West – perhaps because it is near her undisclosed work site, or perhaps because she will only reveal her information in absolute isolation. In minutes they will meet. An hour later, one of them will be dead. This simple premise unfolds multiple layers of depth as the tension is raised to almost unbearable levels.
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Morgan (Anya Taylor-Joy) is a bioengineered child who began walking and talking after one month of existence, exceeding the wildest expectations of her creators. When Morgan attacks one of her handlers, a corporate troubleshooter (Kate Mara) visits the remote, top-secret facility where she’s kept to assess the risks of keeping her alive. When the girl breaks free and starts running amok, the staff members find themselves in a dangerous lockdown with an unpredictable and violent synthetic human.
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Morgan (Anya Taylor-Joy) is a bioengineered child who began walking and talking after one month of existence, exceeding the wildest expectations of her creators. When Morgan attacks one of her handlers, a corporate troubleshooter (Kate Mara) visits the remote, top-secret facility where she’s kept to assess the risks of keeping her alive. When the girl breaks free and starts running amok, the staff members find themselves in a dangerous lockdown with an unpredictable and violent synthetic human.
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Mike Regan has everything he could ever want, a beautiful family and a top of the line smart house. The company he owns is on the verge of changing flight leasing forever. That is, until the relationship with his closest advisor turns nasty, to the point where his teenage daughter is being stalked and his family is under attack through every technological facet of their lives.
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An American photographer (Guy Kent) adrift in a remote Icelandic community is implicated in a local investigation after discovering a deserted crime scene. Forced to stay in the area longer than expected, David crosses paths with a beautiful and intriguing Italian woman living with her husband in the secluded countryside. As David’s fascination with the couple begins to intensify, he slowly finds himself entangled in their mysterious lives.
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An American photographer (Guy Kent) adrift in a remote Icelandic community is implicated in a local investigation after discovering a deserted crime scene. Forced to stay in the area longer than expected, David crosses paths with a beautiful and intriguing Italian woman living with her husband in the secluded countryside. As David’s fascination with the couple begins to intensify, he slowly finds himself entangled in their mysterious lives.
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Based on a true story, shot in THE REAL EXORCIST HOUSE, a young woman returns to her old family home, the site of an infamous exorcism and discovers the devil never left. This film was shot in THE REAL EXORCIST HOUSE and during filming captured both audible and visible paranormal activity which has been left in the film giving those who dare to watch a unique look into one of the most infamous homes in America and possibly exposing them to the devil still lurking within.
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